Hollywood Executives See Growing Market for Asian Stories, but ‘Every Movie Is Still a Fight’

Variety - Oct 10, 2026

Hollywood’s appetite for Asian stories has broadened, but for Lionsgate’s Helen Lee-Kim, “every movie is still a fight.” Lee-Kim, the studio’s president of international, made the remark at the Busan International Film Festival’s Asian Contents & Film Market during the panel “UTA × Gold House: Hollywood & The Asian Diaspora,” moderated by Variety‘s Asia Editor […]

Read full article

More News

Oct 10, 2026

Why Netflix, Amazon and Other Streamers Haven’t Proved Saviors for the Kids Content Industry

The major problem for so many kids content producers these days is getting their series financed. Many are now at Mipcom, the world’s biggest annual TV confab set to take place from Monday in Cannes, the same French Riviera city that hosts the legendary film festival. Proceedings kicked off Saturday with MipJunior, the kids & […]

Oct 10, 2026

Generative AI Still Needs Artists’ Judgment, Says Netflix’s Eyeline GenFX Chief James Rustad at Busan

Generative AI can widen the options for a visual effects shot, but artists still decide which of them serve the story, according to James Rustad, global head of GenFX at Eyeline, Netflix’s in-house VFX studio. Rustad made the case at an InnoAsia session “Making What’s Next: Generative AI and the Future of Filmmaking at Eyeline,” […]

Oct 10, 2026

Netflix’s ‘The Blue Road’ Director Han Jun-hee on Why Playing It Safe Is the Real Risk

When Han Jun-hee binge-watched “House of Cards,” the series struck him as a game changer. It left him with one ambition: to make a story no one had told before, but that many people would watch. Delivering a masterclass at Netflix’s Creative Asia program during the Busan International Film Festival (BIFF), the director of “Coin […]

Oct 10, 2026

Danny Boyle On The Challenges Of Rupert Murdoch & ‘The Sun’ Film ‘Ink’: “We Had A Siege Mentality While Making It” — Contenders London

At Deadline’s Contenders London event this morning, Ink director Danny Boyle has spoken about the challenges he and his film team faced making the origin story of Rupert Murdoch-owned British tabloid The Sun. The filmmaker was joined on stage by writer James Graham and actor Jack O’Connell. “We had a siege mentality while making it”, […]

Oct 10, 2026

Mike Leigh, Marion Bailey & Kate O’Flynn On The Close Collaboration Behind ‘Tender Loving Care’ — Contenders London

“It’s quite practical,” actor Kate O’Flynn concluded this morning when quizzed on working on Tender Loving Care with veteran filmmaker Mike Leigh, best known for his unique pre-production process, which includes no script and a collaborative approach to story development. O’Flynn was speaking on stage at Deadline’s London Contenders event alongside Leigh and her co-star, […]

Oct 10, 2026

AI Can Cut Film Budgets by Up to 40%, Says ‘The Outlaws’ Director Kang Yoon-sung, as Netflix Reveals Use on 300 Titles: ‘A Human Touch Is Absolutely Essential’

Netflix has used AI in one form or another on some 300 of its titles, Lee Sung-gyun, the streamer’s senior director of APAC production, told an audience at the Busan International Film Festival. On the same panel, “The Outlaws” director Kang Yoon-sung said AI workflows could take 30% to 40% off a feature film’s production […]

Oct 10, 2026

Why Meghan Markle wants to reinvent herself like Angelina Jolie? 'Cause so powerful'

Angelina Jolie reinvented herself through humanitarian workA royal expert has reflected on Meghan Markle’s meeting with Nobel Peace Prize winner Malala Yousafzai, and claimed it was no accidental celebrity sighting.Citing the royal insiders, Rob Shuter has claimed that Meghan’s meeting...

Oct 10, 2026

AI Tools Bring Efficiencies But Have Limitations, Says Weta CTO Kimball Thurston: “Tech Companies Should Collaborate More With Creatives”

Kimball Thurston, Weta FX’s chief technology officer, Korean filmmaker Kang Yun-sung and Netflix’s APAC Senior Director, Production, Sung Q Lee, discussed the advantages and limitations of using AI tools in production workflows during Netflix’s Creative Asia day at Busan International Film Festival. They agreed that AI is bringing a range of efficiencies to the production […]

Oct 10, 2026

No Americans Can Identify These British Foods By A Super Zoomed-In Photo

I couldn't even recognize the ingredients for some of these... View Entire Post ›

Oct 10, 2026

Remi Wolf hails Hayley Williams as 'unique artist'

Remi Wolf hails Hayley Williams as 'unique artist'Remi Wolf has nothing but praise for her fellow singer Hayley Williams.In a new interview with Variety, the 30-year-old singer hailed Hayley as "the best singer and such a unique artist."“She’s so f****** awesome. I love her and...

Oct 10, 2026

Brad Bird Talks Long-Gestating Passion Project ‘Ray Gunn’ & Portraying “Characters Who Are Desperate” In Utopia — Contenders London

“It seems like the only way to look at the future these days is as dystopia,” said director Brad Bird at Deadline’s Contenders London this weekend. “And that’s fine. I love a lot of movies that take that thing, but there are other ways to look at the future too, and you can.” Bird was […]

Oct 10, 2026

Busan Market Chief Ellen Y.D. Kim Plots Year-Round ACFM 365 Platform, Warns Public Funding Has Stalled

The Asian Contents & Film Market (ACFM) should grow beyond its four days in Busan into a platform that runs all year, director Ellen Y.D. Kim tells Variety. She adds that public money for the market has not grown alongside it. Kim calls the idea ACFM 365. It would be a permanent database and matchmaking […]

Hollywood Executives See Growing Market for Asian Stories, but ‘Every Movie Is Still a Fight’

More News

Why Netflix, Amazon and Other Streamers Haven’t Proved Saviors for the Kids Content Industry

Generative AI Still Needs Artists’ Judgment, Says Netflix’s Eyeline GenFX Chief James Rustad at Busan

Netflix’s ‘The Blue Road’ Director Han Jun-hee on Why Playing It Safe Is the Real Risk

Danny Boyle On The Challenges Of Rupert Murdoch & ‘The Sun’ Film ‘Ink’: “We Had A Siege Mentality While Making It” — Contenders London

Mike Leigh, Marion Bailey & Kate O’Flynn On The Close Collaboration Behind ‘Tender Loving Care’ — Contenders London

AI Can Cut Film Budgets by Up to 40%, Says ‘The Outlaws’ Director Kang Yoon-sung, as Netflix Reveals Use on 300 Titles: ‘A Human Touch Is Absolutely Essential’

Why Meghan Markle wants to reinvent herself like Angelina Jolie? 'Cause so powerful'

AI Tools Bring Efficiencies But Have Limitations, Says Weta CTO Kimball Thurston: “Tech Companies Should Collaborate More With Creatives”

No Americans Can Identify These British Foods By A Super Zoomed-In Photo

Remi Wolf hails Hayley Williams as 'unique artist'

Brad Bird Talks Long-Gestating Passion Project ‘Ray Gunn’ & Portraying “Characters Who Are Desperate” In Utopia — Contenders London

Busan Market Chief Ellen Y.D. Kim Plots Year-Round ACFM 365 Platform, Warns Public Funding Has Stalled

Recommended

Léa Seydoux & Marie Kreutzer On The “Earthquake” At The Heart Of ‘Gentle Monster’ — Contenders London

Screams, haunting scenes and deadly hide-and-seek, as Celebrity Traitors heats up

Guy Nattiv & Carrie Coon On Finding Empathy In ‘The Liberation’: “Who Are We To Say What Is Required For Someone To Move On?” — Contenders London

Netflix Romance ‘Love Untangled’ Director Namkoong Sun on Netflix Freedom and the Funding and Distribution Gap in Korean Indie Film

Siân Heder & The ‘Being Heumann’ Crew On Creating An Inclusive Film & Production Environment — Contenders London

Which Olivia Colman Character Are You?

‘Wildwood Director’ Travis Knight On LAIKA’s Stop-Motion Fantasy Epic: “It Took Us 16 Years To Make This Movie” – Contenders London

Elizabeth Chai Vasarhelyi & Jimmy Chin Talk ‘Everest: The Other Side’: “This Is The Most Difficult Film We’ve Made” – Contenders London

‘Decision to Leave’ Cinematographer Kim Ji-yong on Chasing Natural Light for Lee Chang-dong’s ‘Possible Love’: ‘This Is the One Where We Worried, Debated and Planned the Most’